** Blue Wind ** - 『レ・ミゼラブル』の青空翻訳 -




II. Jean Valjean Still Wears His Arm in a Sling

2004/01/13 (Tue)
CHAPTER II

JEAN VALJEAN STILL WEARS HIS ARM IN A SLING


To realize one's dream. To whom is this accorded? There must
be elections for this in heaven; we are all candidates, unknown
to ourselves; the angels vote. Cosette and Marius had been elected.

Cosette, both at the mayor's office and at church, was dazzling
and touching. Toussaint, assisted by Nicolette, had dressed her.

Cosette wore over a petticoat of white taffeta, her robe of
Binche guipure, a veil of English point, a necklace of fine pearls,
a wreath of orange flowers; all this was white, and, from the midst
of that whiteness she beamed forth. It was an exquisite candor
expanding and becoming transfigured in the light. One would
have pronounced her a virgin on the point of turning into a goddess.

Marius' handsome hair was lustrous and perfumed; here and there,
beneath the thick curls, pale lines--the scars of the barricade--
were visible.

The grandfather, haughty, with head held high, amalgamating more
than ever in his toilet and his manners all the elegances
of the epoch of Barras, escorted Cosette. He took the place of
Jean Valjean, who, on account of his arm being still in a sling,
could not give his hand to the bride.

Jean Valjean, dressed in black, followed them with a smile.

"Monsieur Fauchelevent," said the grandfather to him, "this is
a fine day. I vote for the end of afflictions and sorrows.
Henceforth, there must be no sadness anywhere. Pardieu, I decree joy!
Evil has no right to exist. That there should be any unhappy men is,
in sooth, a disgrace to the azure of the sky. Evil does not come
from man, who is good at bottom. All human miseries have for
their capital and central government hell, otherwise, known as the
Devil's Tuileries. Good, here I am uttering demagogical words!
As far as I am concerned, I have no longer any political opinions;
let all me be rich, that is to say, mirthful, and I confine myself
to that."

When, at the conclusion of all the ceremonies, after having pronounced
before the mayor and before the priest all possible "yesses," after
having signed the registers at the municipality and at the sacristy,
after having exchanged their rings, after having knelt side by side
under the pall of white moire in the smoke of the censer, they arrived,
hand in hand, admired and envied by all, Marius in black, she in white,
preceded by the suisse, with the epaulets of a colonel, tapping the
pavement with his halberd, between two rows of astonished spectators,
at the portals of the church, both leaves of which were thrown
wide open, ready to enter their carriage again, and all being finished,
Cosette still could not believe that it was real. She looked at Marius,
she looked at the crowd, she looked at the sky: it seemed as though
she feared that she should wake up from her dream. Her amazed and
uneasy air added something indescribably enchanting to her beauty.
They entered the same carriage to return home, Marius beside Cosette;
M. Gillenormand and Jean Valjean sat opposite them; Aunt Gillenormand
had withdrawn one degree, and was in the second vehicle.

"My children," said the grandfather, "here you are, Monsieur le Baron
and Madame la Baronne, with an income of thirty thousand livres."

And Cosette, nestling close to Marius, caressed his ear with an
angelic whisper: "So it is true. My name is Marius. I am Madame Thou."

These two creatures were resplendent. They had reached that
irrevocable and irrecoverable moment, at the dazzling intersection
of all youth and all joy. They realized the verses of Jean Prouvaire;
they were forty years old taken together. It was marriage sublimated;
these two children were two lilies. They did not see each other,
they did not contemplate each other. Cosette perceived Marius
in the midst of a glory; Marius perceived Cosette on an altar.
And on that altar, and in that glory, the two apotheoses mingling,
in the background, one knows not how, behind a cloud for Cosette,
in a flash for Marius, there was the ideal thing, the real thing,
the meeting of the kiss and the dream, the nuptial pillow.
All the torments through which they had passed came back to them
in intoxication. It seemed to them that their sorrows, their sleepless
nights, their tears, their anguish, their terrors, their despair,
converted into caresses and rays of light, rendered still more charming
the charming hour which was approaching; and that their griefs
were but so many handmaidens who were preparing the toilet of joy.
How good it is to have suffered! Their unhappiness formed a halo
round their happiness. The long agony of their love was terminating
in an ascension.

It was the same enchantment in two souls, tinged with voluptuousness
in Marius, and with modesty in Cosette. They said to each other
in low tones: "We will go back to take a look at our little garden
in the Rue Plumet." The folds of Cosette's gown lay across Marius.

Such a day is an ineffable mixture of dream and of reality.
One possesses and one supposes. One still has time before one to divine.
The emotion on that day, of being at mid-day and of dreaming
of midnight is indescribable. The delights of these two hearts
overflowed upon the crowd, and inspired the passers-by with cheerfulness.

People halted in the Rue Saint-Antoine, in front of Saint-Paul,
to gaze through the windows of the carriage at the orange-flowers
quivering on Cosette's head.

Then they returned home to the Rue des Filles-du-Calvaire. Marius,
triumphant and radiant, mounted side by side with Cosette the staircase
up which he had been borne in a dying condition. The poor, who had
trooped to the door, and who shared their purses, blessed them.
There were flowers everywhere. The house was no less fragrant
than the church; after the incense, roses. They thought they heard
voices carolling in the infinite; they had God in their hearts;
destiny appeared to them like a ceiling of stars; above their heads
they beheld the light of a rising sun. All at once, the clock struck.
Marius glanced at Cosette's charming bare arm, and at the rosy
things which were vaguely visible through the lace of her bodice,
and Cosette, intercepting Marius' glance, blushed to her very hair.

Quite a number of old family friends of the Gillenormand family
had been invited; they pressed about Cosette. Each one vied
with the rest in saluting her as Madame la Baronne.

The officer, Theodule Gillenormand, now a captain, had come
from Chartres, where he was stationed in garrison, to be present
at the wedding of his cousin Pontmercy. Cosette did not recognize him.

He, on his side, habituated as he was to have women consider him handsome,
retained no more recollection of Cosette than of any other woman.

"How right I was not to believe in that story about the lancer!"
said Father Gillenormand, to himself.

Cosette had never been more tender with Jean Valjean.
She was in unison with Father Gillenormand; while he erected joy
into aphorisms and maxims, she exhaled goodness like a perfume.
Happiness desires that all the world should be happy.

She regained, for the purpose of addressing Jean Valjean,
inflections of voice belonging to the time when she was a little girl.
She caressed him with her smile.

A banquet had been spread in the dining-room.

Illumination as brilliant as the daylight is the necessary seasoning
of a great joy. Mist and obscurity are not accepted by the happy.
They do not consent to be black. The night, yes; the shadows, no.
If there is no sun, one must be made.

The dining-room was full of gay things. In the centre, above the white
and glittering table, was a Venetian lustre with flat plates, with all
sorts of colored birds, blue, violet, red, and green, perched amid
the candles; around the chandelier, girandoles, on the walls, sconces with
triple and quintuple branches; mirrors, silverware, glassware, plate,
porcelain, faience, pottery, gold and silversmith's work, all was
sparkling and gay. The empty spaces between the candelabra were filled
in with bouquets, so that where there was not a light, there was a flower.

In the antechamber, three violins and a flute softly played
quartettes by Haydn.

Jean Valjean had seated himself on a chair in the drawing-room,
behind the door, the leaf of which folded back upon him in such
a manner as to nearly conceal him. A few moments before they sat
down to table, Cosette came, as though inspired by a sudden whim,
and made him a deep courtesy, spreading out her bridal toilet
with both hands, and with a tenderly roguish glance, she asked him:

"Father, are you satisfied?"

"Yes," said Jean Valjean, "I am content!"

"Well, then, laugh."

Jean Valjean began to laugh.

A few moments later, Basque announced that dinner was served.

The guests, preceded by M. Gillenormand with Cosette on his arm,
entered the dining-room, and arranged themselves in the proper order
around the table.

Two large arm-chairs figured on the right and left of the bride,
the first for M. Gillenormand, the other for Jean Valjean.
M. Gillenormand took his seat. The other arm-chair remained empty.

They looked about for M. Fauchelevent.

He was no longer there.

M. Gillenormand questioned Basque.

"Do you know where M. Fauchelevent is?"

"Sir," replied Basque, "I do, precisely. M. Fauchelevent told
me to say to you, sir, that he was suffering, his injured hand
was paining him somewhat, and that he could not dine with Monsieur
le Baron and Madame la Baronne. That he begged to be excused,
that he would come to-morrow. He has just taken his departure."

That empty arm-chair chilled the effusion of the wedding
feast for a moment. But, if M. Fauchelevent was absent,
M. Gillenormand was present, and the grandfather beamed for two.
He affirmed that M. Fauchelevent had done well to retire early,
if he were suffering, but that it was only a slight ailment.
This declaration sufficed. Moreover, what is an obscure corner
in such a submersion of joy? Cosette and Marius were passing
through one of those egotistical and blessed moments when no other
faculty is left to a person than that of receiving happiness.
And then, an idea occurred to M. Gillenormand.--"Pardieu, this
armchair is empty. Come hither, Marius. Your aunt will permit it,
although she has a right to you. This armchair is for you.
That is legal and delightful. Fortunatus beside Fortunata."--
Applause from the whole table. Marius took Jean Valjean's place
beside Cosette, and things fell out so that Cosette, who had,
at first, been saddened by Jean Valjean's absence, ended by being
satisfied with it. From the moment when Marius took his place,
and was the substitute, Cosette would not have regretted God himself.
She set her sweet little foot, shod in white satin, on Marius' foot.

The arm-chair being occupied, M. Fauchelevent was obliterated;
and nothing was lacking.

And, five minutes afterward, the whole table from one end to the other,
was laughing with all the animation of forgetfulness.

At dessert, M. Gillenormand, rising to his feet, with a glass
of champagne in his hand--only half full so that the palsy of his
eighty years might not cause an overflow,--proposed the health
of the married pair.

"You shall not escape two sermons," he exclaimed. "This morning
you had one from the cure, this evening you shall have one from
your grandfather. Listen to me; I will give you a bit of advice:
Adore each other. I do not make a pack of gyrations, I go straight
to the mark, be happy. In all creation, only the turtle-doves are wise.
Philosophers say: `Moderate your joys.' I say: `Give rein
to your joys.' Be as much smitten with each other as fiends.
Be in a rage about it. The philosophers talk stuff and nonsense.
I should like to stuff their philosophy down their gullets again.
Can there be too many perfumes, too many open rose-buds, too many
nightingales singing, too many green leaves, too much aurora
in life? can people love each other too much? can people please
each other too much? Take care, Estelle, thou art too pretty!
Have a care, Nemorin, thou art too handsome! Fine stupidity, in sooth!
Can people enchant each other too much, cajole each other too much,
charm each other too much? Can one be too much alive, too happy?
Moderate your joys. Ah, indeed! Down with the philosophers!
Wisdom consists in jubilation. Make merry, let us make merry.
Are we happy because we are good, or are we good because we are happy?
Is the Sancy diamond called the Sancy because it belonged
to Harley de Sancy, or because it weighs six hundred carats?
I know nothing about it, life is full of such problems; the important
point is to possess the Sancy and happiness. Let us be happy
without quibbling and quirking. Let us obey the sun blindly.
What is the sun? It is love. He who says love, says woman.
Ah! ah! behold omnipotence--women. Ask that demagogue of a Marius
if he is not the slave of that little tyrant of a Cosette. And of
his own free will, too, the coward! Woman! There is no Robespierre
who keeps his place but woman reigns. I am no longer Royalist
except towards that royalty. What is Adam? The kingdom of Eve.
No '89 for Eve. There has been the royal sceptre surmounted by a
fleur-de-lys, there has been the imperial sceptre surmounted by a globe,
there has been the sceptre of Charlemagne, which was of iron,
there has been the sceptre of Louis the Great, which was of gold,--
the revolution twisted them between its thumb and forefinger,
ha'penny straws; it is done with, it is broken, it lies on the earth,
there is no longer any sceptre, but make me a revolution against
that little embroidered handkerchief, which smells of patchouli!
I should like to see you do it. Try. Why is it so solid? Because it
is a gewgaw. Ah! you are the nineteenth century? Well, what then?
And we have been as foolish as you. Do not imagine that you have
effected much change in the universe, because your trip-gallant is called
the cholera-morbus, and because your pourree is called the cachuca.
In fact, the women must always be loved. I defy you to escape from that.
These friends are our angels. Yes, love, woman, the kiss forms
a circle from which I defy you to escape; and, for my own part,
I should be only too happy to re-enter it. Which of you has
seen the planet Venus, the coquette of the abyss, the Celimene
of the ocean, rise in the infinite, calming all here below?
The ocean is a rough Alcestis. Well, grumble as he will, when Venus
appears he is forced to smile. That brute beast submits. We are all
made so. Wrath, tempest, claps of thunder, foam to the very ceiling.
A woman enters on the scene, a planet rises; flat on your face!
Marius was fighting six months ago; to-day he is married.
That is well. Yes, Marius, yes, Cosette, you are in the right.
Exist boldly for each other, make us burst with rage that we cannot
do the same, idealize each other, catch in your beaks all the tiny
blades of felicity that exist on earth, and arrange yourselves a nest
for life. Pardi, to love, to be loved, what a fine miracle when one
is young! Don't imagine that you have invented that. I, too, have had
my dream, I, too, have meditated, I, too, have sighed; I, too,
have had a moonlight soul. Love is a child six thousand years old.
Love has the right to a long white beard. Methusalem is a street
arab beside Cupid. For sixty centuries men and women have got
out of their scrape by loving. The devil, who is cunning, took to
hating man; man, who is still more cunning, took to loving woman.
In this way he does more good than the devil does him harm.
This craft was discovered in the days of the terrestrial paradise.
The invention is old, my friends, but it is perfectly new. Profit by it.
Be Daphnis and Chloe, while waiting to become Philemon and Baucis.
Manage so that, when you are with each other, nothing shall
be lacking to you, and that Cosette may be the sun for Marius,
and that Marius may be the universe to Cosette. Cosette, let your
fine weather be the smile of your husband; Marius, let your rain
be your wife's tears. And let it never rain in your household.
You have filched the winning number in the lottery; you have
gained the great prize, guard it well, keep it under lock and key,
do not squander it, adore each other and snap your fingers at
all the rest. Believe what I say to you. It is good sense.
And good sense cannot lie. Be a religion to each other.
Each man has his own fashion of adoring God. Saperlotte! the best
way to adore God is to love one's wife. I love thee! that's
my catechism. He who loves is orthodox. The oath of Henri IV.
places sanctity somewhere between feasting and drunkenness.
Ventre-saint-gris! I don't belong to the religion of that oath.
Woman is forgotten in it. This astonishes me on the part
of Henri IV. My friends, long live women! I am old, they say;
it's astonishing how much I feel in the mood to be young. I should
like to go and listen to the bagpipes in the woods. Children who
contrive to be beautiful and contented,--that intoxicates me.
I would like greatly to get married, if any one would have me.
It is impossible to imagine that God could have made us for anything
but this: to idolize, to coo, to preen ourselves, to be dove-like,
to be dainty, to bill and coo our loves from morn to night, to gaze
at one's image in one's little wife, to be proud, to be triumphant,
to plume oneself; that is the aim of life. There, let not that displease
you which we used to think in our day, when we were young folks.
Ah! vertu-bamboche! what charming women there were in those days,
and what pretty little faces and what lovely lasses! I committed
my ravages among them. Then love each other. If people did
not love each other, I really do not see what use there would
be in having any springtime; and for my own part, I should pray
the good God to shut up all the beautiful things that he shows us,
and to take away from us and put back in his box, the flowers,
the birds, and the pretty maidens. My children, receive an old man's
blessing.

The evening was gay, lively and agreeable. The grandfather's
sovereign good humor gave the key-note to the whole feast, and each
person regulated his conduct on that almost centenarian cordiality.
They danced a little, they laughed a great deal; it was an
amiable wedding. Goodman Days of Yore might have been invited
to it. However, he was present in the person of Father Gillenormand.

There was a tumult, then silence.

The married pair disappeared.

A little after midnight, the Gillenormand house became a temple.

Here we pause. On the threshold of wedding nights stands a smiling
angel with his finger on his lips.

The soul enters into contemplation before that sanctuary where
the celebration of love takes place.

There should be flashes of light athwart such houses. The joy
which they contain ought to make its escape through the stones
of the walls in brilliancy, and vaguely illuminate the gloom.
It is impossible that this sacred and fatal festival should not give
off a celestial radiance to the infinite. Love is the sublime
crucible wherein the fusion of the man and the woman takes place;
the being one, the being triple, the being final, the human trinity
proceeds from it. This birth of two souls into one, ought to be
an emotion for the gloom. The lover is the priest; the ravished
virgin is terrified. Something of that joy ascends to God.
Where true marriage is, that is to say, where there is love, the ideal
enters in. A nuptial bed makes a nook of dawn amid the shadows.
If it were given to the eye of the flesh to scan the formidable
and charming visions of the upper life, it is probable that we
should behold the forms of night, the winged unknowns, the blue
passers of the invisible, bend down, a throng of sombre heads,
around the luminous house, satisfied, showering benedictions,
pointing out to each other the virgin wife gently alarmed,
sweetly terrified, and bearing the reflection of human bliss upon
their divine countenances. If at that supreme hour, the wedded pair,
dazzled with voluptuousness and believing themselves alone,
were to listen, they would hear in their chamber a confused rustling
of wings. Perfect happiness implies a mutual understanding with
the angels. That dark little chamber has all heaven for its ceiling.
When two mouths, rendered sacred by love, approach to create,
it is impossible that there should not be, above that ineffable kiss,
a quivering throughout the immense mystery of stars.

These felicities are the true ones. There is no joy outside
of these joys. Love is the only ecstasy. All the rest weeps.

To love, or to have loved,--this suffices. Demand nothing more.
There is no other pearl to be found in the shadowy folds of life.
To love is a fulfilment.


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